19 June 2013

On June 4, an Egyptian court sentenced 43 employees of pro-democracy NGOs, including 16 Americans, to between one and five years in prison. This incredibly politicized case, combined with a...


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Zaher Shehab clearly remembers how he heard the news. The Bath University student had been meeting his PhD supervisor when he logged on to Facebook. To his horror, the site...


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In Al-Kasaba Theater in Ramallah, a group of actors were getting ready to go on stage. In the yellow light of lightbulbs framing the mirrors, actresses Amira Habash, Maisa Abd...


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Do you remember the very first time you went to the movies? Do you remember that feeling of excitement mixed with awe, when you would hand the ticket to the...


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Millions of Palestinians follow the young artist Mohammed Assaf from Khan Younis, Gaza, on MBC’s "Arab Idol" every week, even as they turn their backs on the polemics in Hamas’...


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On the fifth take, everything appeared to have come together. The script monitors confirmed that the two actors had got their lines right, the woman in charge of the set...


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Don’t Stop U.S. Aid to Egypt just yet

Britain's Syrian Community: How War Is Dividing Families

Palestinian Cultural Scene Thrives Amid Hardships

Minister of Culture Wages Campaign Against Egyptian Artists

Arab Idol' Unifies Troubled Region

Pakistan's Movie-Makers Dig Deep To Revive Film Industry

Today's Exclusive Columns

A New President, Now What?

A New President, Now What?

Do not congratulate me if you think I am happy that a “reformist” (read with extra sarcastic emphasis) has won the Iranian presidential election in Iran. I find nothing more saddening than the message...

The Roots of Muslim Rage? Comfy Counter-Narratives Don’t Address Them!

The Roots of Muslim Rage? Comfy Counter-Narratives Don’t Address Them!

When the Muslim community in America reaches a point of finally talking about the issues of radicalism that face Muslim youth, that’s a sure sign that we’ve progressed. Surely, intolerance and hate ar...

Mosireen Empowers Citizen Journalists

Mosireen Empowers Citizen Journalists

Continuing my look (aslan-media-columns/above-the-fold/item/336-poignant-crowd-sourced-film-recreates-the-palestinian-experience#.UYHBECvEpn8) at the use of crowd funding in the Middle East, in this p...

I’ve Been Lost

I’ve Been Lost

I have been relatively quiet these past few weeks for Aslan Media. "Why?", you ask? Because the situation in Egypt depresses me. I may not be Egyptian, but as an expat witnessing this ong...

Mideast Arts & Culture

Parkour life: Iranian Women Get Physical

Parkour life: Iranian Women Get Physical

On any given Friday, groups of young women across Iran can be seen jumping from rooftops, scaling the graffitied walls of apartment blocks, and catapulting themselves over stairways. They are...

Shohreh Aghdashloo, From Tehran To Hollywood

Shohreh Aghdashloo, From Tehran To Hollywood

Iranian American actress Shohreh Aghdashloo, who earned an Oscar nomination for her performance in "House of Sand and Fog" (2003), writes about her life journey from Tehran under siege to...

Reza Aramesh on Bringing His Images of Violence to NYC Nightclubs

Reza Aramesh on Bringing His Images of Violence to NYC Nightclubs

In his first U.S. exhibition, the Iranian-born, London-based artist Reza Aramesh has brought his highly political works into what would initially seem, to those unfamiliar with his work, to be...

Vote4Zahra: A Virtual Candidate for Iran’s Elections (Part Two)

Vote4Zahra: A Virtual Candidate for Iran’s Elections (Part Two)

This is part two of our interview with Zahra’s Paradise author and co-creator Amir Soltani. Click here (arts-culture/mideast-art/21339-vote4zahra-a-virtual-candidate-in-iran-s-upcoming-elections-part-one) to read part one. Aslan Media contributing writer Roxanne Rashedi recently had a...

The Use Of The Written Word In The Art Of Shirin Neshat & Lalla Essaydi

The Use Of The Written Word In The Art Of Shirin Neshat & Lalla Essaydi

While often perceived as a purely aural element, the word is as important a visual tool in politically-motivated art. Shirin Neshat and Lalla Essaydi, two artists known for their use of calligraphy,...

‘Indecent’ ballet? Egyptian Islamist lawmaker angers dancers

‘Indecent’ ballet? Egyptian Islamist lawmaker angers dancers

An Islamist member of Egypt’s Shura Council has stirred controversy for describing ballet dancing as “the art of nudity,” prompting objections from a number of dancers. Council member Gamal Hamed, of...

TODAY'S NEWS

Syrian Intervention is Justifiable, and Just

This article, written by Anne-Marie Slaughter, appeared on The Washington Post on June 09,2012

Anne-Marie Slaughter is a professor of politics and international affairs at Princeton University and former dean of Princeton’s Woodrow Wilson School of Public and International Affairs. She was the State Department’s director of policy planning from January 2009 to January 2011.

Henry Kissinger recently argued against intervention in Syria [“The perils of intervention in Syria,” Sunday Opinion, June 3] on the grounds that it would imperil the foundation of world order. His analysis was based on a straw man, one put forward by the Russian and Chinese governments, that outside intervention would seek to “bring about regime change.”

The point of an intervention in Syria would be to stop the killing — to force Bashar al-Assad and his government to meet the demands of the Syrian people with reforms rather than guns. If the killing stopped, it is not clear what shape the political process would adopt, how many millions would take to the streets or whom different factions would support. The majority of Syrians would almost certainly demand that Assad leave office, but by the ballot box or a negotiated political settlement that would leave the Syrian state — in the sense of bureaucracy, the army, the courts — largely intact. The chaos and horrific violence in Iraq resulted in large part from the U.S. determination to destroy those institutions along with Saddam Hussein.

READ MORE AT The Washington Post

*Photo Credit: FreedomHouse2

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